Art view ny3/7/2023 Image courtesy of Hadi Fallahpisheh and Goldsmiths CCA (September 9 through February 5, 2023.) Go a little further uptown to see Americas Society’s thought-provoking “Tropical Is Political: Caribbean Art Under the Visitor Economy Regime,” which promises “natural and fiscal paradise” in the Caribbean region, where finance and tourism abound, with help from artists like Allora & Calzadilla, Gwladys Gambie, and Yiyo Tirado. Go up to the Metropolitan Museum of Art to see “Hear Me Now: The Black Potters of Old Edgefield, South Carolina,” alongside contemporary artists working in clay. In his imagining, nothing is fixed-everything is being reinvented. Claudio RochaĪt MoMA PS1, Umar Rashid gives us the final chapters (4, 5, and 6) of his epic story “Ancien Regime Change.” Thirty new works, fiendishly researched, look back to the 18th century, zeroing in on New York’s history and weaving fact and fantasy, laying bare how political and cultural power comes and maybe goes. Umar Rashid, The Polo Dons and Donna Karan doing it in the (Central) Park, 2021. “Bámigbóyè: A Master Sculptor of the Yorùbá Tradition” at the Yale University Art Gallery (September 9 through January 8, 2023).Ī selection of portraits by Njedeka Akunyili Crosby from her ongoing series of Nigerian children called The Beautyful Ones it’s curated by Hilton Als at the Yale Center for British Art (September 22 through January 22, 2023). (Michael Werner, 4 East 77th Street, September 9 through November 12.) Issy Wood’s “Time Sensitive,” her new paintings of hijacked images, are imagined and real at the same time. “Sheree Hovsepian: Leaning In” at Rachel Uffner (170 Suffolk Street, September 16 through November 5). (555 West 21st Street, September 17 through October 29.) Mary Heilmann’s “Daydream” at 303 Gallery-her Red Break, one of her standout paintings, shares the space here with ceramics and an installment of her brightly colored furniture. “Guston/Morandi/Scully” at Mnuchin Gallery, curated by Sukanya Rajaratnam (45 East 78th Street, September 8 through October 15). ![]() You can see the last photographs ever taken of Andy Warhol and Michael Jackson, a rare portrait of Alexander McQueen-in a ball gown-and much more in David LaChapelle’s “Make Believe” at Fotografiska New York. His next big show at the New Museum is Theaster Gates’s “Young Lords and Their Traces” (November 10 through February 5, 2023). “Gilded Darkness,” Nari Ward’s latest project, is curated by Massimiliano Gioni (husband of Cecilia Alemani and creative director of the New Museum) for the Trussardi Foundation at Centro Balneare Romano in Milan (September 12 through October 16). (Installed on the Flyover on the High Line near 26th Street through August 2023.) New sculptures by Phillips can also be seen at street level in her show at Matthew Marks (526 West 22nd Street, September 10 through October 29). With echoes of Hitchcock’s Rear Window, the work digs into the voyeurism of social media. Cast bronze binoculars on a stand invite visitors to spy on neighboring buildings and streets while a camera inside the binoculars beams the viewers’ eyes onto an adjacent LED screen. ![]() ![]() Julia Phillips delves into surveillance in public space with “Observer, Observed”-curated by Cecilia Alemani, it’s Phillips’s first public artwork and the High Line’s latest commission. (Madison Square Park Conservancy, between East 23rd and East 26th Streets, from Broadway and Madison Avenue.) It’s an ode to Cedar Creek, which once ran through the park where the oval lawn is today. (September 8 through August 27, 2023.)Ĭhristina Iglesias’s “Landscape and Memory,” five bronze sculptural pools with flowing water in Madison Square Park, through December 4. She’s a fantastical bronze mother figure of hybrid identity, in a sari with hair in a multi-lobed bun. New Delhi and London-based Bharti Kher’s “Ancestor,” commissioned by the Public Art Fund, stands tall at 18 feet to welcome one and all into Central Park’s Doris C. (5 Ninth Avenue, September 21 through November 19.) There’s nothing shy about them: In Death of Democracy, Trump, Putin, and Kim Jong-un carry a casket as a metaphor for the fall of democracy. Powerful images stitched together use history as well as contemporary political references and personal recollections to tell provoking narratives. Dawn Williams Boyd’s “The Tip of the Iceberg” debuts at Fort Gansevoort with a dozen vividly colored cloth paintings-fabric is her paint.
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